Japanese Ceramic Teapot


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Japanese Design Sky Blue Cherry Blossom Sakura Tea Pot and Cups Set Serves 2 Beautifully Packaged in Gift Box Excellent Home Decor Asian Living by Gifts & Decors

  • This set is Japanese designed and Made in a state of the art...
  • Measurements: Tea Pot: 4"H by 6"L Tea Cup: 2.25"H
  • This beautiful ceramic tea pot set serves two people, containing 1...

$28.99

6" Black Bamboo Japanese Ceramic Tetsubin Teapot & Teacups Infuser with Rattan Handle Tea Set by We pay your sales tax

  • Includes the 1 teapot with the infuser, 4 cups, and a rattan handle
  • Makes for an excellent gift for any occassion: Holidays,...
  • Teapot details Size 6" (L) x 4" (H). Teacups Size: 2.5" x 3"

$24.99

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Product Description

In Asia when we have good tea, we do not say drink tea , we say taste the tea instead. You don't use big cups , you do not swallow. You sip like you sip your wine to feel the aroma and after taste that the tea brings. This is a great set include everything you need, simply use them or put out as a decorative display in your cabinet would be nice.


https://www.youtube.com/watch?v=ybb-HhSrtxA

Tokoname Master Craftsman - Hokujo (Genji Shimizu)

Photos: http://goo. gl/k4EMgi Genji Shimizu (artist name Hokujoh) Full member of the Japan Arts Crafts Association Master of traditional Crafts.

Australian Woodfire: Curator's Choice is diverse - Sydney Morning Herald - Sydney Morning Herald

On until August 4. The curator of the exhibition, Peter Haynes, has chosen the work of 16 ceramic artists from Canberra and interstate who are known for using wood firing in their ceramic practice. They are Robert Barron, Barbara Campbell-Allen, Ray Cavill​, Greg Crowe, Steve Harrison, Ian Jones, Daniel Lafferty, Sandy Lockwood, Chester Nealie, Ben Richardson, Carol Rosser, Arthur Rosser, Owen Rye, Bill Samuels, Yuri Wiedenhofer​ and... Not all the work in the exhibition is recent as some artists have exhibited pots from earlier works they had chosen to keep. Its interior of old and weathered wood has been left relatively untouched and provides an appropriate setting for these pots that are born of wood and fire. Wood firing is an ancient method of firing pots to make them durable. Pottery is made in this village and we arrived just as the women were unloading a big mound of fired pots. These pots were not fired in a kiln but on the ground covered by a fire lit with grass and wood. There did not seem to be any breakages and although the air was full of wood smoke and ash the pots themselves were a beautiful terracotta. Contemporary potters, however, use wood-firing kilns because they enjoy the challenge of the wood-firing process. They are also drawn to the unique decorative qualities that can be achieved on the surface of their pots. It is not highly glazed ware that attracts these potters but the marks of smoke and fire and the encrustation of the wood ash. Each pot is different and it is unlikely that a particular surface could be exactly reproduced again. The opening of the kiln becomes a voyage of discovery as each pot is removed. These decorative affects can be achieved in numerous ways that include the kind of wood used, the use of glaze and slips, the addition of salt to the firing, the place of the pot in the kiln and the temperature, duration and reduction firing of... The work in this exhibition demonstrates the many diverse forms that are wood fired. As well as traditional bowls, jars, teapots, vases and platters, there are many free form sculptures that lend themselves to the more extreme fired effects of texture and encrustation. Barron's Large Jar (77x 65 centimetres) with its full belly and neck lugs is a generic form that has its own history. Barron's outstanding pot is in a more contemporary idiom with its honey-like dripped glaze and blaze of blue. On a smaller scale Lafferty's Large Urn and Nealie's Vase with its soft blaze of red flame bring past and contemporary ceramics together. The Japanese in their reverence for the unexpected and accidental effects of wood-fired ceramics have aided us in seeing the very special nature of these surfaces. This aesthetic reveals itself in tea bowls used for the Japanese tea ceremony. Special bowls are revered for the individual history of their firing revealed in their surface markings. Arthur Rosser's Twin Bowls from 1997 exemplify these individual evocative markings that give these small bowls (although twinned in form) their individual voice. Yuri Wiedenhofer's teapot and platter have the rose-pink blaze of the fire imprinted on them. Their prominent round marks are made by adding lumps of clay to the surface of the pot which are then chipped off after firing. Seashells are also used during firing to support pots. Their residue is often left on the surface of the pot as a sign of the firing process in examples such as Cavill's organic sculptural work How green was my valley with its natural ash glaze. Wulff's long cylindrical form Vase is a wheel-thrown piece with a beautiful rich red-coloured body with brown glaze marks. Unusually it has a nicely sculptured bottom rim like a little skirt which brings a sense of energy and life to this unassuming but assured pot. His Vessel #2, however, is a segmented round bowl with a celadon-coloured green glaze marked by iron oxides. It is an example of his skill in creating beautiful assured pots that celebrate the earthiness of the clay and. Source: www.smh.com.au

Latest News

  • Australian Woodfire: Curator's Choice is diverse

    07/24/15 ,via Sydney Morning Herald

    Teapot, by Carol Rosser. Photo: supplied. Wood firing is an ancient method of firing pots to make them durable. This process was brought to life for me when I recently visited a Myanmar village on the Irrawaddy River. Pottery is made in this village

  • "Crafting a Continuum" is a Glorious Shopper's Hell

    07/21/15 ,via Houston Press

    The Wood piece is a Mad Hatter-esque glazed stoneware teapot, from the spout of which one might expect a tea brewed from Alice's mushroom to pour — or maybe some other mushroom, but certainly stone(d) seems appropriate for any tea party it might grace

  • Australian Woodfire: Curator's Choice is diverse

    07/23/15 ,via Brisbane Times

    The Japanese in their reverence for the unexpected and accidental effects of wood-fired ceramics have aided us in seeing the very special nature of these surfaces. This aesthetic reveals itself in tea bowls used for the Japanese tea ceremony. Special

Recipes

  • Japanese Onion Soup

    mushrooms, beef bouillon granules, carrot, celery, chicken broth, ginger, onions, water

Books

  • Japanese teapots

    Kodansha America. 1981. 65 pages.
  • Inside Japanese Ceramics

    Shambhala Publications. 1995. 190 pages.

    "This practical and supremely useful manual is the first comprehensive, hands-on introduction to Japanese ceramics. The Japanese tradition is without compare in its technical and stylistic diversity, its expressive content, and the level of appreciation it enjoys, both in Japan and around the world. Inside Japanese Ceramics focuses on tools, materials, and procedures, and how all of these have influenced the way traditional Japanese ceramics look and feel. A true primer, it concentrates on the basics: setting up a workshop, pot-forming techniques, decoration, glazes, and kilns and firing. It introduces the major methods and styles that are taught in most Japanese workshops, including several representative and well-known wares: Bizen, Mino, Karatsu, Hagi, and Kyoto."--Back cover.

Bing news feed

  • Australian Woodfire: Curator's Choice is diverse

    07/24/15 ,via Sydney Morning Herald

    The curator of the exhibition, Peter Haynes, has chosen the work of 16 ceramic ... jars, teapots, vases and platters, there are many free form sculptures that lend themselves to the more extreme fired effects of texture and encrustation. The Japanese ...

  • A Celebration of Tasteful Art”

    07/15/15 ,via Sierra Star

    While there, Morita took many photographs for reference “I thought painting a teapot, teacup, and flower would capture ... Artist David Caris is participating in the exhibit with his 100% ceramic large dinner plate, and a taco salad, representing El ...

  • Perfect with a capital T

    07/14/15 ,via Stuff

    I love those cute little spilt-toe socks, but my Japanese is limited to vocabulary gleaned from ... one spoonful of tea for each person and one for the pot; pre-heat the teapot, boil the water, take the teapot to the water - not the water to the teapot ...

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vb9012x-porcelain-dragonware-teapot
vb9012x-porcelain-dragonware-teapot
Vintage Dragonware Porcelain Teapot Early 20th century Japanese dragonware porcelain teapot. The piece was molded with one dragon winding up the side and onto the lid where the dragon head becomes to finial. A second dragon forms the handle and spout. It is hand-painted brown with gold and white accents and three brightly colored figures and the side. No cracks and one small paint chip at the bottom of the spout where it is not visible during use. Asian Decor: Satsuma Dragonware Porcelain Teapot from Kyoto, Japan More info: www.silkroadcollection.com/vb9012x-porcelain-dragonware-t...
Photo by Silk Road Collection on Flickr
vb9047x-japanese-porcelain-teapot
vb9047x-japanese-porcelain-teapot
Japanese Porcelain Teapot Small blue and white porcelain teapot with a dragon and wooden bamboo handle. This three toed dragon is shown flying among clouds as it chases a flaming pearl. More info: www.silkroadcollection.com/vb9047x-japanese-porcelain-tea...
Photo by Silk Road Collection on Flickr
Motoko Araki Ceramics
Motoko Araki Ceramics
Photo by Andurinha on Flickr
Japanese Ceramic Mashiko Reeds 40 oz. Teapot
Japanese Ceramic Mashiko Reeds 40 oz. Teapot
Vintage Japanese Ceramic Teapot Tea Pot Japan Brown with floral WIN
Vintage Japanese Ceramic Teapot Tea Pot Japan Brown with floral WIN
Image by picclick.com
Ceramic japanese teapot isolated on white background.
Ceramic japanese teapot isolated on white background.

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